In 1990, Salt-N-Pepa released "Let's Talk About Sex," which featured the memorable hook, " Let's talk about all the good things/ And the bad things that may be. This continued on in the early '90s with Salt-N-Pepa and TLC, groups that both confidently expressed their sexuality while promoting healthy discussions around banging. But it would be West Coast gangsta rap's rise in the late '80s that would give the genre its first instances of explicit women rappers.īarbie and Entice were the antitheses to Short's pimp persona and an early embodiment of women recognizing and embracing their sexuality in hip-hop. The Mercedes Ladies, Sha-Rock, and Lisa Lee were among some of the first female MCs and girl groups to pop up on the hip-hop scene. Brown and Black youths used hip-hop as a means for self-expression, and as an escape from violence, poverty and drug use that plagued the city due to inequities. Hip-hop culture began as an underground movement in the Bronx in New York in the 1970s. Let's Talk About Sex, Baby: The Early Years He's a real super daddy and he knows just what to do."Ĭunningham said songs like Lee's gave way for sex talk in genres that superseded the blues: R&B, funk, soul, and hip-hop. Julia Lee's " King Size Papa " from 1948 (used in the 1999 film Life which featured comedians Martin Lawrence and Eddie Murphy) - is an example of this: "King size papa, he's my king size papa. In her 2019 thesis, "Make It Nasty: Black Women's Sexual Anthems and the Evolution of Erotic Stage," Cunningham wrote that blues functioned as an indirect site for discussing "multiple pleasures such as shifting gender roles, financial insecurity, mental and social escape, drug use, and sexual fantasy."Īlthough dirty blues was dominated by men, with notable selections like Bo Carter's " Please Warm My Weiner" from 1930 and The Swallows' " It Ain't the Meat (It's the Motion)" from 1952 (a popular hit that was yanked from radio station broadcasts at the time), women were also contributing anthems that were just as vivid in language as their male counterparts – the difference is that Black women’s themes touched more on "domestic metaphors." According to Cunningham, dirty blues music - a blues subgenre between the mid-1920s and 1960s - set the precedent for sexual euphemisms and confessional storytelling. Candidate in African and African Diaspora Studies at the University of Texas, said. " often about a soured love, a wild night, erotic desires or 'cooking' - i.e. But for Black women, the roots of lyrical lucidity can be directly tied to blues music. Sex talk has always been a major part of America's mainstream music culture. The songs created by these and many other women not only allow them to rhythmically explore their erotic pleasantries but allow Black women to rehearse their explicitness on this empowered journey towards holistic freedom. Violence, sexism, racial tropes, and more all play a large part in female rappers’ music. Historically, Black women’s bodies have been shrouded in shame and used at the whims of financial gain purely for the pleasure of others. Their influence can be surveyed by looking at the different eras of women rappers from Lil' Kim, Foxy Brown, Missy Elliott, and Trina to contemporaries like Cardi B and Megan Thee Stallion. The different phases of "sex talk" in women's rap music have undulated much like their witty bars have over rippling beats. Their ministry is for those who want to hear their words, which often incites a camaraderie between free-loving ride-or-dies shaking their asses on one another while rapping along in electrifying praise. They're sharing their own carnal sermons. Over the past four decades in hip-hop, candid sexual anthems have been an arena in which female rappers - with or without vaginas - and queer artists vocalize their standards for sexual satisfaction. It should not be a revelatory act for Black women to boast about their pussies and how they prefer it to be pleasured, yet here we are – and not for the first time. The new sexual anthem, which broke streaming records in its debut week, has caused conservative figures and politicians alike to openly speak out about an absence of respectability and conformity. Wet Ass Pussy, makes that pull out game weak.” The song is accompanied by a Frank Ski sample that repeats “There’s some whores in this house” like a church choir chant praising the divine. On August 7th, Cardi B and Megan Thee Stallion debuted their radical, sexually explicit song “ WAP.” From the beginning, the song is direct and clear: “Certified freak, seven days a week. Hip-hop has a long history of sexual anthems from women rappers. Cardi B and Megan Thee Stallion's explicit anthem "WAP" is the most talked-about song of the year.
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